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Pagan history

Witches should be aware of their roots; aware of how and why the persecutions came about, for instance, and where and when the re-emergence took place. There is a great deal to be learned from the past. It's true that much of history can seem dry and boring to many of us, but that is far from so with the history of Witchcraft. It is very much alive and filled with excitement. Twenty-five thousand years ago Palaeolithic Wo/Man depended upon hunting to survive. Only by success in the hunt could there be food to eat, skins for warmth and shelter, bones to fashion into tools and weapons. In those days Wo/Man believed in a multitude of gods. Nature was overwhelming. Out of awe and respect for the gusting wind, the violent lightning, the rushing stream, Wo/Man ascribed to each a spirit; made each a deity... a God. This is what we call Animism. A god controlled that wind. A god controlled the all-important hunt.... a God of Hunting. Most of the animals hunted were honored so Wo/Man pictured the God of Hunting also as being horned. It was at this time that magick became mixed in with these first faltering steps of religion. The earliest form of magick was probably of the sympathetic variety. Similar things, it was thought, have similar effects: like attracts like. If a life-size, caly model of a bison was made, then attacked and "killed"... then a hunt of a real bison should also end in a kill. Religio-magickal ritualwas born when one of the cavemen threw on a skin and antlered mask and played the part of the Hunting God, directing the attack. There are, still in existence, cave paintings of such rituals, together with the spearstabbed clay models of bison and bear. It is interesting to see how this form of sympathetic magick survived right through to relatively modern times. The Penobscot Indians, for example, less than a hundred years ago, wore deer masks and horns when performing rituals for the same purpose. The Mandan Indians' Buffalo Dance is another example. Along with this God of Hunting there was a Goddess, thought which came first we do not know, and it is immaterial. If there were to be animals to hunt, there had to be fertility of those animals. If the tribe was to continue then there had to be fertility of Wo/Man. Again sympathetic magick played a part. Clay models were made of the animals mating, and in an accompanying rituals the members of the tribe would copulate. There are man carved and modeled representations of the Fertility Goddess extant.Generally knowm as "Venus" figurines, the Venus of Willendorf is one of the best known. They have heavy, pendulous breasts, large buttocks, an oftimes swollen belly-- as though pregnant--and exaggerated genitalia. There is invariably complete lack of identity with the rest of the body. The face is not defined and the arms and legs, if there at all, are barely suggested. The reason is that Wo/Man was solely concerned with the fertility aspect. Woman wa the bearer and nurser of the young. The Goddess was her representative as the Great Provider and Comforter; Mother Nature or Mother Earth. With the development of agriculture there was a further elevating of the Goddess. She now watched over the fertility of the crps as well as of tribe and of animal. The year, then, fell naturally into two halves. In the summer food could be grown, and so the Goddess predominated; in the winter Wo/Man had to revert to hunting, and so the God predominated. The other deities gradually fell into the background, as of secondary importance. As Wo/Man developed, so did the religion-- for that is what it had become, slowly and maturally. Wo/Man spread across Europe, taking the gods along. As different countries developed, so the God and Goddess acquired different names, yet they were essentially the same deities. This is well illustrated in Britain where, in the south of England, is found Cernunnos (literally "The Horned One"). To the north the same god is known as Cerne; a shortened form. And in still another area the name has become Herne. By now Wo/Man had learned not only to grow food but also to store it for the winter. So hunting became less important. The Horned God came now to be looked upon more as a God of Nature generally, and a God of Death and what lies after. The Goddess was still of Fertility and also of Rebirth, for Wo/Man had developed a belief in a life after death. This is evidencedfrom the burial customs of the period. The Gravettians(22,000-18,000 BCE) were innovators here. They would bury their deceased with full clothing and ornaments and would spinkle them with red ochre, to give back the apperance of life. Frequently family members would be buried beneath the hearth so that they might remain close to the family. A man would be buried with his weapons; perhaps even his dog--all that he might need in the afterlife. It is not difficult to see how a beliefe in a life after death came about. At the root of it were dreams. With the development of different rituals-- for fertility, for success in the hunt, for seasonal needs-- there necessarily developed a priesthood: a select few more able to bring results when directing the rituals. In some areas of Europe these ritual leaders, or priests and priestesses, became known as the Wicca--the "Wise Ones". In fact by the time of the Anglo-Saxon kings in England, the king would never think of actingon any important matter without consulting the Witan; the Council of Wise Ones. And indeed the Wicca did have to be wise. Thy not only led the religious rites but also had to have knowledge of herbal lore, magick and divination; they had to be doctor, lawyer, magician, priest. To the poeple the Wicca were plenipotentiaries between them and the gods. But, at the great festivals, they almost became like gods themselves. With the comming of Christianity there was not the immediate mass-conversion that is often suggested. Christianity was a man-made religion. It had not evolved gradually and naturally over thousands of years, as we have seen that the Old Religion did. Whole countries were classed as new Christian when actuality it was only the rulers who had adopted the new religion, and often only superficially at that. Throughout Europe generally the Old Religion, in its many and varied forms,was still prominent for the first thousand years of Christianity. An attempt at mass conversion was made by Pope Gregory the Great. He thought that one way to get the people to attend the new Christian churches was to have them built on the sites of the older temples, where the people were accustomed to gathering together to worship. He instructed his bishops to smash any "idols" and to sprinkle the temples with holy water and rededicate them. To a large extent Gregory was successful. Yet the people were not quite as gullible as he thought. When the first Christian churches were being constructed, the only artisans available to build them were from among the pagans themselves. In decorating the churches these stonemasons and woodcarvers very cleverly incorporated figures of their own deities. In this way, even if they were forced to attend the churches the people could still worship their own gods there. There are many of these figures still in existence today. The Goddess is usually depicted as very much a fertility deity, with legs spread wide and with greatly enlarged genitalia. Such figures are usually referred to as Shiela-na-gigs. The God is shown as the horned head surrounded by foliage; known as a "foliate mask", and also sometimes referred to as "Jack of the Green" or "Robin o' the Woods". Incidentally, these carvings of the old God should not be confused with gargoyles. The latter are the hideous faces and figures carved on the four corners of church towers to frighten away demons. In those early days, when Christianity was slowly growing in strenght, the Old Religion--the Wiccans and other pagans--was one of its rivals. It is only natural to want to get rid of a rival and the Church pulled no punches to do just that. It has frequently been said that the gods of an old religion become the devils of a new. This was certainly the case here. The God of the Old Religion was a horned god. So apparently, wa the Christian's Devil. Obviously then, reasoned the Church, the pagans were Devil worshippers! This type of reasoning is used by the primitive tribes upon whom they stumbled as devil-worshippers, just because the tribe worshipped a god or gods other than the Christian one. It would not matter that the people were good, happy, often morally and ethically better living than the vast majority of Christians... they had to be converted! The charge of Devil-worship, so often leveled at Witches, is ridiculous. The Devil is a purely Christian invention; there being no mintion of him, as such, before the New Testament. In fact it is interesting to note that the whole concept of evil associated with the Devil is due to an error in translation. The original Old Testament Hebrew Ha-satan and the New Testament Greek diabolos simply mean "opponent" or "advesary". It should be remembered that the idea of dividing the Supreme Power into two-- good and evil-- is the idea of an advanced and complex civilization. The Old Gods, through their gradual development, were very much "human" in that they would have their good side and their bad side. It was the idea of an all-good, and all-loving deity which necessitated an antagonist. In simple language, you can only have the color white if there is an opposite color, black, to which you can compare it. This view of an all-good god was developed by Zoroaster, in Persia in the seventh century BCE. The idea later spread westward and was picked up in Mithraism and, later, in Christianity. As Christianity gradually grew in strength, so the Old Religion was slowly pushed back. Back until, about the time of the Reformation, it only existed in the outlying country districts. Non-Christians at that time became known as Pagans and Heathens. "Pagan" comes from the Latin Pagani and simply means "people who live in the country". The word "Heathen" means "one who dwells on the heath". So the terms were appropriate for the non-Christians at that time, but they bore no connotations of evil and their use today in a derogatory sense is quite incorrect. As the centuries passed, the smear campaign against non-Christians continued. What the Wiccans did was reversed and used against them.They did magick to promote fertility and increase the crops; the Church claimed that they made women and cattle barren and blighted the crops! No one apparently stopped to think that if the Witches really did what they were accused of, they would suffer equally themselves. After all, they too had to eat to live. An old ritual act for fertility was for the villagers to go to the fields in the light of the full moon and to dance around the field astride pitchforks, poles and broomsticks; riding them like hobby-horses. They would leap high in the air as they danced, to show the crops how high to grow. A harmless enough form of sympathetic magick. But the Church claimed not only that they were working against the crops, but that they actually flew through the air on their poles.... surely the work of the Devil! In 1484 Pope Innocent VIII produced his Bull against Witches. Two years later two infamous German monks, Heinrich Institoris Kramer and Jakob Sprenger, produced their incredible concoction of anti-Witchery, the Malleus Maleficarum ( The Witch Hammer). In this book definite instructions were given for the prosecution of Witches. However, when the book was submitted to the Theological Faculty of the University of Cologne-- the appointed censor at that time-- the majority of the professors refused to have anything to do with it. Kramer and Sprenger, nothing daunted, forged and approbation of the whole faculty; a forgery that was not discovered until 1898. Gradually the hysteria kindled by Kramer and Sprenger began to spread. It spread like a fire--flashing up suddenly in unexpected places; spreading quickly across the whole of Europe. For nearly three hundred years the fires of the persecutions raged. Humankind had gone mad. The inhabitants of entire villages where one or two Witches were suspected of living, were put to death with the cry: "Destroy them all.... the Lord will know his own!" In 1586 the Archbishop of Treves decided that the local Witches had caused the recent severe winter. By dint of frequent torture a "confession" was obtained and one hundred twenty mean and women were burned to death on his charge that they had interfered with the elements. Since fertility was of great importance--fertility of crops and beasts--there were certain sexual rites enacted by the Wicca, as followers of the nature religion. These sexual rites seem to have been given unnecessary prominence by the Christian judges, who seemed to delight in prying into the most minute of details concerning them. The rites of the Craft were joyous in essence. It was an extremely happy religion and so was, in many ways, totally incomprehensible to the gloomy Inquistors and Reformers who sought to suppress it. A rough estimate of the total number of people burned, hung or tortured to death on the charge of Witchcraft, is nine MILLION! Obviously not all of these were followers of the Old Religion. This had been a wonderful opportunity for some to get rid of anyone against whom they bore a grudge! An excellent example of the way in which the hysteria developed and spread is found in the case of the so-called Witches of Salem, Massachusetts. It is doubtful if any of the victims hung there were really followers of the Old Religion. Just possibly Bridget Bishop and Sarah Good were, but the others were nearly all pillars of the local church up until the time the hysterical children "cried out" on them. But what about Santanism? The Witches were called worshippers of the Devil. Was there any truth to this? NO! Yet as with so many of the charges, there was reason for the belief. The early Church was extremely harsh on its people. It not only overned the peasants' way of worship but also their ways of life and love. Even between married couples, sexual intercourse was frowned upon. It was felt that there should be no joy from the act, it being permitted solely for procreation. Intercourse was illegal on Wednesdays, Fridays and Sundays; for forty daysbefore Christmas and similar time before Easter; for three days prior to receiving communion, and from the time of conception to fortyafter paturition. In other words, there was a grand total of approximately two months in the year only when it was possible to have sexual relations with your spouse....but without deriving pleasure from it, of course! It was no wonder that his, together with other such harshness, led to a rebellion--albeit a clandestine one. The people-- this time the Christians--finding that their lot was not bettered by praying to the so-called God of Love, decided to pray to his opposite instead. If God wouldn't help them , perhaps the Devil would. So Santanism came into being.A parody of Christianity; a mockery of it. It was a revolt against the harshness of the Church. As it turned out the "Devil" did not help the poor peasant either. But at least the was showing his disdain for the authorities; he was goin against the establishment. I did not take Mother Church long to find out about this rebellion. Santanism was anti-Christian. Witchcraft was also--in their eyes-- anti-Christian. Ergo, Witchcraft and Satanism were one and the same. In 1640 King James I passed his Witchcraft Act, but this was repealed in 1736. It was replaced by an Act that stated that there was no such thing as Witchcraft and to pretend to have occult powers was to face being charged with fraud. By the late seventeenth century the surviving members of the Craft had gone underground; into hiding. For the next three hundred years, to all apperances Wichcraft was dead. But a religion which had lasted twenty thousand years, in effect, did not die so easliy. In samll groups-- surviving covens, oftimes only of family members-- the Craft continued. IN the literary feild Christian had a heyday. Printing had been invented and developed durnig the persecutions, therefore anything published on the subject of Wichcraft was written from the Church's pint of view. Later books had only these early works to which to refer so, not unnaturally, they were heavily biased against the Old Religion. In fact it was not until 1921, when Dr. Margaret Alice Murray produced The Witch Cult in Western Europe, that anyone looked at Witchcraft with anything like an unbiased light. From studying the records of the trials of the Middle Ages, Murray picked up the clues that seemed to her to indicate that there was a definate, organized, pre-Christian religion behind all the "hogwash" of the Christian allegations. Although her theories finally proved a little far-fetched in some areas, she did indeed strike some chords. Wicca was by no means as far-reaching and widespread as Murray suggested, but there can be no doubt that it did exist as an indubitable religious cult, if sporadic as to time and place. She enlarged on her views in a second book, The God of the Witches, in 1931. In England, in 1951, the last laws against Witchcraft were finally repealed. This cleared the way for the Witches themselves to speak up. In 1954 Dr. Gerald Brousseau Gardner, in his book Witchcraft Today, said in effect, "What Margaret Murray had theorized is quite true. Witchcraft was a religion and in fact it still is. I know , because I am a Witch myself." HE went on to tell how the Craft was still very much alive, albeit underground. He was the first to give the Witches' side of the story. At the time of his writing it seemed, to him, that the Crat was rapidly declining and perhaps only hanging on by a thread. He was greatly surprised when, as a result of the circulation of his book, he began to hear from namy covens throughout Europe,all still happily practicing their beliefs. Yet theese surviving covens had learned their lesson. They did not wish to take the chance of coming out into the open. Who was to say the persecutions could not start again? For a while Gerald Gardner's was the single voice speaking for the Craft. He claimed to have been initiated into an English coven, near Christchurch, just before the start of the Second World War. He was excited by what he found. He had spent a lifetime in the study of relifio-magick and now was a part of it. He wanted to ruch out and tell everyone. But he was not allowed to. Finally though, after much pleading, he was allowed to present some of the true Witch beliefs and practices by weaving them into a novel: High Magic's Aid, published in 1949. It took five more yearsfor him to persuade the coven to let him do the factual treadment. Complementing Witchcraft Today, his third book was published in 1959, titled The Meaning of Witchcraft. From his lifetime study of religion and magick, Gardner felt that waht he foundas the remains of Witchcraft was incomplete and , in places, inaccurate. For millenia the Old Religion had been a purely oral tradition. It was not until the persecutions, with the separating of covens and the resultant loss of intercommunication, that anything was put into writing. At that time, when the Witches were having to meet in the shadows, the rituals were finally written down in what became known as The Book of Shadows. The Book was then copied and recopied as it passed, over the years, from coven leader to coven leader. It was only natural that errors would creep in. Gardner took the rituals of the coven to which he belonged--a basically English/Celtic group--and reworte them as he felt they should have been. This form then became known as "Gardnerian Witchcraft". In recent years there have been many wild and wonderful theories and accusations advanced, from "Gardner made up the whole thing" to "He commissioned Aleister Crowley to write The Book of Shadows for him". Such charges scarcely bear the dignity of a response, but details of Gardner's preparatory work can be found in Stewart Farrar's books: What Witches Do and Eight Sabbats for Witches. However, whatever one's feeling about Gardner, whatever one's belief in the Wicca's origins, all presentday Witches and would-be Witches owe him a tremendous debt of gratitude for having had the courage to stand up and speak out for Withccraft. It is because of him that we can enjoy th Craft, in its many forms, today. In America the first Witch to "stand up and be recognized" was Raymond Buckland. At that time there were no covens visible in this country. Initiated in Scotland by Gardner's High Priestess, He set out to emulate Gardner insofar as to try to straighten the long-held misconceptions and to show the Craft for what is truly is. Soon Sybil Leek arrived on the scene, followed by Gavin and Yvonne Frost and other individuals. It was an exciting time as more and more covens, and many diffrent traditions, came into the open or at lest made themselves known. Today the would-be Witch has a wide selection from which to choose: Gardnerian, Celtic, Saxon, Alexandrian, Druidic, Algard, Norse, Irish, Scottish, Sicilian, Huna, etc. That there are so many, and such varied, branches of Witchcraft is admirale. We are all different. It isnot surprising that there is no one religion that suits all people. In the same way, then, ther can be no one type to Witchcraft to suit all Witches. Some like lots of ritual, while some are for simplicity. Some are from Cletic backgrounds, others from Saxon, Scots, Irish, Italian, or any of a number of others. Some favor a matriarchy; others a patriarchy and still others seek balance. Some prefer to worship in a group(coven), others are for solitary worship. With the large number of diffrent denominations, then, there is now more likelihood of everyone finding a path they can travel in comfort. Religion has come a long way from its humble beginnings in the caves of pre-history. Witchcraft, as one small facet of religion, has also come a long way. It has grown to become a world wide religion, legally recognized. Today, across America, it is not all unusual to find open Wiccan festivals and seminars taking place in such unlikely places as family campgrounds and motels such as the Holiday Inn. Witches appear on television and radio talk shows; they written up in local and national newspapers and magazines. Witchcraft courses are given in colleges. Even in the Armed Forces is Wicca recognized as a valid religion--Department of the Army Pamphlet No. 165-13 "Religious Requirements and Practices of Certain Selected Groups--A Handbook for Chaplains" included instructions as to the religious rights of Witches right alongside those of Islamic groups,Sikh groups, Christian Heritage, Indian Heritage, Japanese and Jewish groups. Yes, Witchcraft has a place in past history and will have a definite place in the future.

The elements

All energy upon the earth is made up of a balance of the 4 elements, how little or how much of each is present determines how we feel around it. The associations given here are not from any fixed system. There are differences between some paths of Paganism that you will find here - you also must find what feels right for you, but this is a good guide to get you started. Earth Air Fire Water Trees Mountains Volcanoes Oceans Flowers Clouds Rivers Valleys Lakes North South East West Solidity Thinking Strength Emotion Balance Clairity Passion Security Energy Comfort Green Yellow Red Blue Brown Silver Orange White Dirt Incense Candle Salt/Water Wood Feather Flame Rock Plant Pentacle Wand Sword Cup Taurus Gemini Leo Cancer Virgo Libra Saggitarius Pisces Capriocorn Aquarius Aries Scorpio Winter Spring Summer Autumn Midnight Dawn Noon Sunset Feeling Thinking Intuition Sensing The four elements are also known as the four directions or the four quarters. These are the four directions of the compass: North, East, South and West. Each direction has its own personality, powers and magical associations. These four directions are also found on each point of the pentagram or pentacle along with a Fifth Element: Spirit (Akasha). These four elements are also called when casting a circle. One of the most common symbols of Wicca and Witchcraft is the pentacle - the five pointed star surrounded by a circle. This symbol appears on the cover of many books on Wicca and Witchcraft. It is also a common symbol worn as a pendant or an insignia in a ring. Just as Christians ear a cross or Jews wear a Star of David, many Witches choose to wear a pentacle. The star, by itself, is called a pentagram. When it is enclosed in a circle, it is a pentacle. The pentacle is a symbol with spiritual meaning that Witches find beautiful and comforting. According to the teachings of many traditions in Witchcraft, the universe is made up of five elements: fire, air, water, earth and spirit. All things are somehow related to one or more of these elements. Take the human body for example: our lungs represent the element of air, our blood stream symbolize water. Our flesh and bones are linked to earth, while the mind is related to fire. The soul is related to the element of spirit. Mother Earth has a similar link to the elements. The atmosphere is air, while the oceans and other bodies of water represent water. The soil and rocks symbolize earth, while the molten core of the planet is the source of her fire. Spirit is related to the Goddess herself - the consciousness of Mother Earth. The pentagram is a symbol of the elements. The top point of the star is the element of spirit. Going clockwise around the star, the other four points represent water, fire, earth and air. Because the top point of the pentagram represents spirit, it symbolizes the importance that spirit has over the other four elements. Thus, a pentagram (and a pentacle) both stands for spirituality governing matter. The circle that surrounds the pentagram in a pentacle stands for eternity. Thus, the star represents the material world, while the circle represents the eternal cycle o time. Together, the two symbols of the pentagram represent the totality of the universe, encompassing both space and time. Because Witches see the universe as sacred (as the manifestation of the Goddess and the God), wearing a symbol of the universe itself is a reverent and spiritual thing to do.

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A wide variety of "working tools" are found in Wicca, the tools or objects used in making magick are essential, although they are just tools. They hold no inherant power within themselves, but focus and refine the power within you. They are visual and manual aids or symbols to help in contacting the subconscious mind and persuading it to work the magick you desire. The success of magick is in the belief, emotion and discipline you bring to the ritual, not in the tools you use. Don't worry about having all your magickal tools at once, they will come to you when the time is right. Truthfully you don't really need any of them to work magick. They simply serve as props to keep your conscious mind occupied while the sub-conscious carries out your magickal intentions. ALTAR The altar or working space is the first thing you'll need in any magickal working. Ideally, you should have a special room for this, but few of us live in ideal situations. Your altar can be as simple as a coffee table or as elaborate as you wish.The ritual altar serves a dual purpose; it's a place to keep your ritual tools and materials; and it serves as a visual focus for your magickal work. Some traditions hold that the altar should always face the East, or the South, or in the center, etc., etc... Put your altar where it feels right for you. More important, put it somewhere where you will be able to see it easily, where you'll be able to reach the things you need to reach, and where you won't trip over it.The right side of the altar is usually dedicated to the God. A red, yellow or gold candle, or an appropriate figure, is usually place there, as are the censor, wand, athame, bolline and a bowl of salt. The left half of the altar is usually dedicated to the goddess. Tools sacred to Her are placed there: the cup, the pentacle, bell, crystal, cauldron and the bowl of water. An image of the Goddess may also stand there, or a green, silver or white candle can be substituted. The besom or broom may be laid against the left side of the altar.The cauldron is also sometimes placed on the floor to the left of the altar if there isn't room on top. ATHAME Your athame (or personal knife) should be purchased new, the shape and size depending upon what appeals to you. In the Wiccan tradition the hilt is usually black and the blade sharp on both sides. The blade should also be of a metal that can be sharpened as you will use this knife to cut herbs and incise candles. The sharp edge is also a reminder of the power we take into our hands when we work magick. If you do purchase a used knife be very certain there are no negative vibrations on it. Cleanse and consecrate it before use. The dirk is the equivalent of the athame in PectiWita. It generally has a longer blade, though whatever feels comfortable to you is acceptable. The athame is associated with the Fire Element and the South (some traditions associate it with Air and the East.) BELL Some Wiccans use a bell in their rituals, though certainly not all. Sound is vibration and vibrations are important, not only in everyday life but, especially, magick. To help achieve the right vibrations, the right "mood" or "frequency", it helps to ring a bell. It can actually be just as effective-and thereby as important-as the burning of incense, which also affects vibrations. Don't overdo the bell ringing. A very occasional single-, double-, or triple-ring, scattered throughout the ritual, can be far more effective than a constant jangling. The bell you use should be chosen carefully. Don't just take any bell - each has its own particular timbre. Find one which seems "right" to you, one which soothes and mellows rather than one which is harsh and strident. If possible, remove the handle and replace it with a leather loop. In this way you can carry the bell strung from you belt (if you prefer that is!). The bell is a feminine symbol and so is often used to invoke the Goddess in ritual. It is also rung to ward off evil spells and spirits, to halt storms, or to evoke good energies. Placed in cupboards or hung on the door, it guards the home. BESOM The Besom is used to cleanse the ritual area. There are those who insist that a besom must be made of broom, but this isn't necessarily true. In fact, it is said that fairies hate the scent of broom. Straw or grass brooms are fine for indoors, while outdoors, any leafy twig found on the ground will work well. Many stores and craft shops carry the old-fashioned "witch" broom made of straw or grass that is perfectly acceptable as long as it feels right to you. I made my besom with an oak branch and eucalyptus, rosemary, lavender and twine. It works and that's what matters most. To cleanse your ritual area, start in the center and moving deosil (clockwise) sweep the circle from the center to the outer edges, all the while envisioning and chanting that negativity is being swept out and the circle is being cleaned. BOOK OF SHADOWS One of the most important items is the Book of Shadows, or Journal if you prefer. This is where you should record everything associated with your journey; rituals, spells, thoughts, inspirations, and any other information you deem needful. It can be in any form you choose; 3-ring binder, journal, computer file(!), etc... BOLINE This is usually a white handled knife traditionally used for physical cutting if you don't want to use your Athame for that. It is simply a practial, working as opposed to a purely ritualistic magick knife. It is used to cut wands or sacred herbs, inscribe symbols onto candles or on wood, clay or, wax, and in cutting cords for use in magick.Some Wiccan dictate that the white-handled knife be used only within the magick circle. This would, of course, limit its usefulness. Do what feels right to you. Personally, I don't use a bolline, unless you'd consider my garden clippers qualify! CANDLES Candles are associated with Fire and Air, and are used for everything from lighting the altar to specifics in spells. The type of wax does not matter, Color is what is important here. For basic magickal working the basic candle colors needed are white, black, green, red, yellow, blue, gold, and silver. For more information on these colors see this candle page. CAULDRON The cauldron is an essential in Celtic magick. It represents the element of Water. The cauldron is mentioned in many Celtic myths (most notably Cerridwen's story) and is always connected with magickal happenings. Black cast iron is best and most traditional material, although it can be of other metals. Filled with water it can be used as a scrying tool, similar to a magick mirror or a crystal balll. During certain spells candles are set in it and allowed to burn out. It is an all purpose tool; a vital part of your Celtic spellworkings. The Wicca see the cauldron as a symbol of the Goddess, the manifested essence of femininity and fertility. Ideally the cauldron should rest on three legs, its opening smaller than its widest part. Cauldrons can be difficult to find, and expensive when found. I use a cast iron dutch oven. It doesn't have legs but it seems to do the trick anyway. CHALICE Your chalice or goblet can be of any shape, size or composition. Beware of pretty pewter cups, they contain lead and can be dangerous to drink anything from, especially wine. The chalice holds water or wine, but is occasionally used empty. The chalice, like the cauldron, is of the Element of Water and associated with the West. It may be used for everyday drinking but is usually reserved for occasions when it is felt necessary to pour libations to the gods, or similar ritual use. Personally, my goblet is part of my Renaissance costume as well as a magickal tool. Since I feel like it will pick up the right energy when I use it at RenFaires this really doesn't stray too far from tradition. HERBS AND OILS Herbs are often burned for incense during a spell or ritual. Charcoal blocks are available for this purpose in gift and candle shops as well as new age and occult supply stores. Essential oils are used for anointing candles, tools, the altar and the body in rituals and spell working. They may be used as tokens of esteem and respect for the deities and energies of the Craft. As plants of various kinds have customarily been offered to the Lady, herbal offerings can be especially meaningful for their particular significance and properties. Since all herbs and oils have their own particular energies they can be a valuable, if not essential, addition to your magickal matierials. Herbs are always associated with the element Earth. INCENSE BURNER OR BURNERA good incense burner is essential, especially if you plan to use the better incenses that are burned on charcoal. Choose a burner that has some sort of a foot or stand under it. Fill it with a layer of fresh sand, which makes it easier to clean and cuts down on the heat that will pass into the altar. If you can't find a suitable censor make one. Any bowl or cup will serve well provided that you fill it at least half-way with salt or sand. If you plan to move it as all while hot, chains or handles are a necessity. Representative of the Element of Fire and aligned with the South, the incense burner can also be used in spells that require the burning of paper. PENTACLE A pentacle is traditionally a flat disk made of metal or wood and inscribed with a pentagram. It is used as a power point for consecrating ritual objects, such as water or wine in a chalice, amulets and tools; and is associated with the Earth Element and aligned with the North. It can also be used for grounding stray energy in a room. The pentacle was "borrowed from ceremonial magick. In this ancient art it was often an instrument of protection, or a tool used to evoke spirits. Pentacles are also hung over doors and windows to act a protective devices, or are ritually manipulated to draw money owing to the pentacle's Earth associations. I use a large sand dollar that has a perfect pentagram already on it. I suppose traditionalists would probably say that this isn't proper, but it feels right to me, and that is the most important thing. ROBES A robe that is only saved for spellworking can be a fundamental part of your magickal paraphernalia, (if your tradition doesn't call for you being skyclad that is!). It can be plain, decorated, and of any color that appeals to you as long as it makes you feel "magickal". It is nice to have more than one robe, each in a different color. The colors can be matched to the candle colors required for a particular spellworking. If you don't like the idea of a robe, wear whatever feels comfortable to you. The idea is to feel at ease not to be "fashionable". STONES AND CRYSTALS Colorful stones of various shapes and sizes are used in some spellworks. Whether you purchase them or find them yourself, be certain that their vibrations feel comfortable to you. Crystals and other stones are good conductors of magickal energy in their natural state and need not be polished to be of use. All stones and crystals are of the Element Earth and play an important part in Celtic spellworkings.SWORDThe sword, like the staff, is a tool of command, It is not used often, but can be necessary for certain spellworkings. Its size, style and length are a personal choice; just be careful that you can easily handle the sword you choose. The weight and length of a Scottish Claymore, for example, becomes a real test of endurance after several minutes. For a woman, a sword length of 17 to 25 inches is a good choice. Like the Athame, the sword is of the Element of Fire. WAND OR STAFF Traditionally, both a wand and staff should be of wood and made by the person who will use them. If your purchase these or have them made, fill them with your own vibrations before using them. This is easily done by handling them often and deliberately sending you own positive thoughts into the object. The wand and staff can be naturally-formed tree branches or made of dowels ornamented with crystals, stones, wooden beads, or whatever else you fancy. The length of the wand depends upon what feels comfortable to you, but tradition states that it should be no longer than your forearm. The staff should be at least shoulder-high and as thick as is comfortable to hold, usually about 1 1/2 inches in diameter. It should be cut during the waxing moon and allowed to dry out thoroughly at room temperature. You may strip the bark off of it or leave it on, whichever you prefer.It may be left natural or stained/varnished/oiled. The staff is the sword and wand rolled into one, and as such is a symbol of both magickal knowledge and the right to petition deities or archetypal powers. The staff is the main tool of the PectiWita tradition. Both Staff and Wand are of the Element of Air and are aligned with the East(although some traditions hold that the wand is an instrument of fire and aligned with the South
Let's add another view into the mix, through the view of color theory. Color can set our mood, helps us make decisions and can even spur or curb our appetite. In the magical world, color is used as a main component of spell work such as in the selection of candle colors. Since witches use color for magic and since color is tied into nature, why can't we use the color wheel as a starting point for the directions of the pentacle? The primary (foundation) colors are red, yellow and blue. This makes sense in the magical world since fire, air and water come together to make up the earth. Secondary colors are green, orange and purple. Green represents the earth, orange is the traditional color of centeredness and creativity and purple is spirit. Red (Fire) + Blue (Water) = Purple (Spirit) Blue (Water) + Yellow (Air) = Green (Earth) Yellow (Air) + Red (Fire) = Orange (Centeredness) A color wheel represents all colors and their relationship to each other. When we superimpose the pentacle on the color wheel, we get (clock-wise) Purple (Spirit), Blue (Water), Green (Earth), Yellow (Air) and Red (Fire). Though the Fire Element really falls in the color orange, for sake of traditional we'll keep it as red. This can be another, if not artistic, view of the direction of the elements in the pentacle. One tenant of magic is that all things are connected. So keeping with this idea, why shouldn't our symbolism be connected with the visible world around us?
Sorry for the very long delay work has been hell and i have been very busy with my webpage on Lost Cherry...where i am meeting and greating new pagans from all the US....so on with the Wiccan book of days post...LOL...Todays date from the Wiccan Book Of Days...September 24...In ancient Egypt, the anual dealth and rebirth of the god OSIRIS was celebrated once a year on this date. A festival held in honor consistd os song, dance, and ceremonial plantings. In West Africa, this day is scared to Obatala, hermaphrodite deity who was belived to have given birth to all Yoruban gods and goddesses. The Egyptian God of the Day is....ANUBIS.....Canine god of cemeteries and embalming. His most usual form is that of a crouching desert dog, ears pricked up and tail hanging, wearing a collar of magical force and sporting the flagellum of Osiris from the centre fo his body. The Anubis dog is probably the jackal and is thus referred to under the name 'sab' in early texts. One Egyptain papyrus derives ANUBIS'S name from the verb 'putrefy' linking him with the decompostion of the corps. In the Pyramid Era ANUBIS is closely allied to the monarch who is described as haveing ATUM'S body but the face of ANUBIS. From the Palermo Stone, a fragment of royal annals carved in the Old Kingdom, we learn that statues (called births0 of ANUBIS were used to desinate the year in which they where ceremonially dedicated.
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