Interests
I believe that I've never loved anything, or anyone, as much as I love music and I am deeply involved with coordinated noise (always have been) as a listener, journalist and player. I gained my obsession, perhaps addiction, at an early age and just never lost it. As a youth, I had the dream of running away from home-fires to join The Four Seasons; 'cept I could never sing falsetto (which would seem to be a prerequisite for that gig)! I don't care for every style of noise, but more than most. Bluegrass, contemporary Gregorian chant, folk, jug band, honky-tonk, middle-east jams, jazz (everything from ragtime to avant-garde styles), experimental, progressive polka, acoustic grunge, alt-country, free-form industrial, swing, trad country, traditional yiddish electric comb (both purple and blue), modern country, folk-rock, Irish, sloppy romantic torch songs (with the appropriate company), percussion, blues, 18th century sitar, jamband, composed music (Bernstien's label for what is commonly called "classical music"), singer/songwrters, indie-rock, improvisation, klezmer performed on the mandolin or tuba, western swing and Americana styles. I play guitar, mandolin, acoustic kazoo (orange) and dobro. I also teach music in the Chicago area, produce articles about music in magazines (perhaps you've read them.. hmmmm????) and write songs. My favorite places in the world are London, NYC and Nashville, although I've been missing Chicago a lot recently. A friend reminded me that "it's home," and that probably cuts it to the bone. I thrive on obscure historical literature, sheep jokes, exotic sex, electric toothbrushes and have been known to watch a Chicago Bulls game on the tube. Recently I've been reading a lot about the history of Chicago. I've also logged hours reading non-fiction about the Civil War, music, various forms of historical perversion, colonial Amerika, moonshining, radical union actions, unusual rituals and basketball.